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~ A random repository of how-to-write and geekery, with an occasional snippet of accidental wisdom.

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Tag Archives: fiction

RotoVegas Author Interview

23 Thursday Nov 2017

Posted by erinkenobi2893 in Living Life with Passion, Story Dynamics, Uncategorized

≈ 6 Comments

Tags

black friday christian book sale blog tour, fiction, story dynamics, urban fantasy, writing

As part of the Independent Christian Book Black Friday Sale Blog Tour (you can read my previous post here,) I had the chance to interview Grace Bridges, author of RotoVegas, which is the first book of her EarthCore series. Urban fantasy is a bit of an unusual genre, with fantasy elements in an urban setting; it tends to be grittier than classic fantasy, which can be a fun twist. I was also fascinated, as if you look through most “Christian fiction” sections in a bookstore or magazine, most of what you will see is romance or bonnet-and-buggy fiction, and then a few Ted Dekker thrillers, and that’s normally it. Don’t ask me why the “Christian fiction” label is so limited when Christian fiction really has the potential to be so all-encompassing, but it is.

On to the interview!

First of all, what inspired you to write urban fantasy? It seems like an unusual sub-genre.
Actually I didn’t realise its genre until long after it was written. I wanted to write something with superpowers resulting from New Zealand’s geothermal sources, and initially that suggested science fiction as most superhero stories tend to be. However, as I wrote, cultural elements fitted in so naturally that it was no longer simply a matter of science. It became more about the powerful invisible dragons who live in and around each geothermal site – this is a well-known aspect of local Māori lore. With the addition of dragons, it became fantasy; with the location in a small city, it became urban.
One-sentence summary. Go!
Superpowers from hot springs – who knew? Creatures making their homes in the untamed thermal sources of New Zealand have a job for Anira to do.
What do you think is unique about your book?
It’s set in New Zealand, my home. Ever heard of a story set in the city of Rotorua? Me either. So I thought it was about time.
What real-world inspirations and influences fed into your book?
All of the settings and city locations are real. In Rotorua, geothermal activity is a fact of daily life. Steam rises from drains and yards. Unstable geysers appear and disappear around the tumultuous lake edge and city park, while stable ones have erupted every hour for as long as people have lived in the area. Isn’t it the perfect environment to add fantasy creatures and supernatural powers?
I saw this on Tumblr–describe your writing process in three words or less.
Snowflake (Randy Ingermanson’s Snowflake Method)
Subscene (once I’ve planned to scene level, I divide each scene into bite-sized subsections immediately before writing it)
Neo (I use a typewriter-like distraction-free Alphasmart Neo device for the actual writing)
Steampunk, cyberpunk, high or dark fantasy and urban fantasy appear to be part of a trend of aesthetic fiction–e.g., fiction with strong visuals or visual inspirations. How did visuals and aesthetic shape “RotoVegas”?
Rotorua, nicknamed RotoVegas for its cute little tourist strip, is a city with a completely unique aesthetic. Ancient volcanic craters form the lake and its island, the surrounding hills of the caldera, the looming Mt. Tarawera nearby with its fearsome crater from end to end. To say nothing of the mineral steam that permeates its atmosphere from the many thermal vents, hot streams, and so on. This is a place I know well. I have been careful to describe it in accurate detail, and I can’t wait to take you along for the journey!
What do you want readers to take home with them after reading “RotoVegas”?
A sense of wonder at the very real forces in the Earth’s crust and what they can do; a fun and satisfying adventure beyond reality into the realm of what-if and imagination.
Bonus Content: 
Free introductory short story: http://www.gracebridges.kiwi/fiction/earthcore-initiation
Author’s video of some geothermal areas in a Rotorua city park: https://youtu.be/G1v90iS77lk
How to say “Rotorua” (at 2:42 in this video, I’ve set it to start at that point) https://youtu.be/xmbIiSMAtrI?t=2m42s
From November 24th-30th a huge selection of discounted books is available at indiechristianbooks.com. You can also join the Indie Christian Authors for a week-long Facebook party during the same dates, or visit http://www.indiechristianbooks.com/supporters/ for more information. There’s also a giveaway–visit http://www.rafflecopter.com/rafl/display/62a405b99/ for that.
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#BlogBattle: Attacked

29 Tuesday Sep 2015

Posted by erinkenobi2893 in Living Life with Passion, Tales of a Wandering Bard

≈ 25 Comments

Tags

completed stories, doctor who, fantasy, fiction, original work, short stories

Wow, two posts in one day. It must be Tuesday! Because, well, it is. Or, weeeelll, it’s the mean time when I said I’d post this. I’m really in the Time Vortex at the moment, so I could have published it in the 5th Century BC if I wanted. Though they didn’t have internet or computers back then so it would have been rather useless but I could if I wanted to!

My entry to Rachael Ritchey’s #BlogBattle. Genre is fantasy/adventure, and prompt word was “Ride.”

Enjoy!


Attacked

                Gigantic golden wings bore down on them from above, and the boy crouched over the galloping horse’s neck, pressing his face into the pale gray mane. His only hope now was to ride, to trust the horse.

He wasn’t even sure if he was doing the right thing any more. He hoped he was, of course, but he was almost past caring.

He closed his eyes tight and heard a squawk as the hippogriff that was following them had its vision suddenly cut off. It was only a temporary fix, and he and the hippogriff both knew it, even as the massive beast crashed to earth behind them, sending up shock waves that reverberated through the horse’s hooves and up its legs. The trusty animal, however, did not falter. The hippogriff stumbled blindly after them, screaming in a horrible, almost-human voice. He could feel the wind sting his cheeks as it flapped enormous wings in a failed attempt to get back into the air, blind as it was.

By feel alone, he reached down to the knife by his side and drew it out, cutting his palm by accident as he did so. He licked away the excess blood without thinking and then cursed inwardly. It would be twice as difficult to complete the process now. Feeling the razor edge scraping across his skin, he lifted blood from the cut on the knife blade, flicking it downward to join with the earth. The knife shears through a lock of thick gold hair and the hair, sticky at the ends, flies at the sky. Then, praying it would work, he opened his eyes for a millisecond and grabbed the halter from the horse’s head. The knife severed it and the pieces flew from his hands. The hippogriff screeched in rage before vanishing in a burst of hot white light that blazed against the boy’s closed eyelids. With a sigh of relief, the boy finally opened his eyes, the world crashing into him in a blaze of color and light so bright and painful all he could do was blink.

Now all he had to do was bypass the Cadon’s armies, slip through the sentries, and avoid the Furies, and get the vital information he carried to the King before nightfall.

Easier said than done.

Emotional Impact Guidelines

15 Saturday Aug 2015

Posted by erinkenobi2893 in Living Life with Passion, Story Dynamics, Tales of a Wandering Bard

≈ 16 Comments

Tags

avengers, emotional impact, fiction, powerful scenes, story dynamics, writing

A while back, someone asked me how I could pack so much emotional punch into my short stories. And just now, I found my response just lying around, so I thought I’d share my secrets with all of you! 😉

1) Keep it simple. Don’t get hung up on detail. Your characters are in psychological shock; they’re not going to notice EVERYTHING about the scene, unless they’re just that sort of person. That much said, grab a few small details for them to notice (such as a bird singing, or the fact that that poor little violet is singed.) That sort of thing makes an impact.

2) WORD CHOICE. This is perhaps the most important one. You want to pick the optimum words to slam the ultimatum your story is delivering home, packing a punch from the first word out. Keep your sentences short and as concise as possible, but don’t overdo it. (You can leave a reader gasping for breath with shorter sentences–they’ll read faster and faster, and when the scene’s over, they’ll be gasping for breath.)

3) You can show a character considering doing something that otherwise they wouldn’t probably do. (Like Natasha Romanoff, who isn’t exactly comfortable with religion, praying.)

4) The emotions of a character who would normally be considered emotionally strong, or an emotional center for other characters. (Steve Rogers is probably the strongest emotional center the Avengers have—everything he says and does impacts them strongly, and sometimes the other characters reflect his emotions. So when he’s impacted, everyone is.) If you show someone like Steve shaken to his or her core, then the audience will know that Something Very Bad is happening.

5) Create an illusion of “ringing in the ears.” You want the reader to experience what the characters are experiencing. I remember an episode of the Clone Wars where there was an explosion, and right afterward, there was an odd sort of ringing silence, like the bomb had done something to the audience’s ears, and the world seemed to be in slow motion. What it really was was a lack of clear detail, and a sense of blurriness, with a sort of stop-action movement… Basically, you’ve hit your head and now you’re seeing things move less as movement and more as a series of rough poses in progression… I don’t know how to put it any better.

I think that’s about it. Basically, take a character everyone cares about, and then show what they’re feeling. 🙂 Select one or two pieces of sensory data to focus on to imply shock. Good luck! 😉

Thanks for reading, and God Bless!

Not-Quite-Teens-Can-Write-Too: First Thing I Wrote

14 Friday Aug 2015

Posted by erinkenobi2893 in Living Life with Passion, Story Dynamics, Tales of a Wandering Bard, The Brooklyn Project

≈ 28 Comments

Tags

arthurian legends, author, doctor who, editing, fantasy, fiction, novels, robin hood legends, science fiction, star wars, steampunk, story dynamics, writer, writing

The prompt was “What was the first thing you wrote of your own free will?”

Simple answer: I started when I was nine, writing a compilation (it was not a novel, too haphazard) of Robin Hood stories. It was poorly written, with choppy transitions, and too pleased-with-itself, and the humor was just shoved in randomly, not integrated.

Nevertheless, I had some fun with it.

Rewriting it today, I would have done it from Will Scarlet’s point of view, left out extraneous material I’d thrown in, and done a lot more research. (Watching Doctor Who has made a good impression on me. At least in that respect.)

The second thing I started to write, when I was eleven, was a complex and dedicated effort at overhauling the young people’s side of the Star Wars mythos–namely, I wrote about a Padawan Learner (different one in each trilogy.) It was essentially Jedi Apprentice, but much more ambitious. (I was eleven, and already writing at an eighth grade level. That might be hard to believe, but if you ignore the poor quality of the content and the horrible, choppy, obvious dialogue, it’s true.) This story had no central arc, being merely a series of short adventures (mind you, I had not started watching TV shows back then, so I had no real idea of how to write a story which could stand alone but also played into a larger plot. Kudos to you, Bad Wolf.) The first of these stories, in the original trilogy, starred an OC–not a Mary Sue, I am proud to say, but still horribly awkward. (I am considering rewriting some of the adventures into a separate novel that has no Star Wars affiliation, because some of these characters would fit ironically well into a steampunk setting. I recently discovered that I love steampunk, and science fiction, especially science fiction that takes its science seriously. Such a treat!)

I started a third novel a few years later about a mythical country and a young woman who had been kidnapped. This is the story that would eventually teach me that less is more, because her backstory got painfully complicated very quickly. Rewriting it today, I would make her less of a victim and more of a dynamic character with something to actually bring to the table (maybe she likes making shoes? That would be useful to the rebels!), and make her actually a real, honest-to-goodness peasant who had just been raised by her aunt and uncle, rather than a noble in disguise. Self-made nobles are far more interesting than born ones in many cases.

After that, I began work on a different angle on the Arthurian legends, which spun off into a novel about Mordred–my Mordred is a bit more like Batman, only with some anti-hero thrown in, a temper, and a vulnerable side–he desperately wants to be accepted by Arthur’s court, but he wants to be accepted for who he is, not as Arthur’s long-lost (illegitimate) son, and his best friend, Gawaine, can never find out that Mordred is really his half-brother (Morgause, in this story, is Mordred’s mother, but he was raised by his aunt Morgan.) Of course, it gets a bit violent–Mordred gets angry with Morgan and walks out on her when he turns fifteen, and of course it was acrimonious. Mordred decides to change his fate and is totally loyal to Arthur (he explains to his confidant Lady Lynnette, who is married to one of his half-brothers and found out Mordred’s secret by accident, “I don’t think of him as my father. That would be weird. I think of him as my king.”) but ends up having to make the choice between saving Arthur and stopping Morgan. Add in a bit of a dark sense of humor and there you are.

It’s not always been an easy or comfortable journey (bits of it were positively embarrassing,) but I’ve been glad to go on it, if it means improvement. Allons-y!

Thanks to Rosalie for starting up this alternative blog chain. She might think it’s awkward, but she deserves lots of hugs. You can find the launching post here.

The Edge of Starlight

03 Monday Aug 2015

Posted by erinkenobi2893 in Living Life with Passion, Story Dynamics, Tales of a Wandering Bard

≈ 18 Comments

Tags

fiction, original fiction, short stories

Okay, I was just writing late one night and came up with this. Enjoy!

The Edge of Starlight
It’s late. Talk to me.
Tell me about the sunset, the crickets, the pale glow of fireflies. Tell me about the soft night air.
It’s late and I’m tired, but I don’t want to go to sleep just yet.
Talk to me.
Tell me a story. Anyone. Anywhere. Anywhen. Anything.
Tell me a good story.
Sing a song I can dream good dreams to, awake or sleeping.
Tell me the world sleeps while we sit here on the edge of starlight, wakeful, breathing in soft, dew-laden night breezes.
It’s late. Talk to me.

Colorblind: Sample Chapter

19 Friday Sep 2014

Posted by erinkenobi2893 in Story Dynamics, Tales of a Wandering Bard

≈ 40 Comments

Tags

creative writing, editing, fiction, first person point of view, novels, original work, point of view, psychological thriller, sample chapter, science fiction, story dynamics, writing

As requested by Professor V.J. Duke and icedmocha34, here it is. My latest endeavor, and my first attempt at sci-fi/psychological thriller. It’s also my first attempt at first person POV, so don’t expect it to be perfect. This isn’t the whole book, though, and be forewarned: It’s not even a “complete”, coherent short story, just a sample chapter. It will not explain itself. It’s only meant to whet your appetite…

That much said, carry on, brave reader. >:-D


Colorblind

Chapter I

                When you’re an amnesia victim, the only thing that’s certain is that life won’t be easy. Because when you have amnesia, nothing is certain.

For a victim of amnesia, life is full of uncertainties, undecided variables. Do you remember nothing of your past? Fragments? Up to a certain point? Or are you able to remember everything in your past, but are unable to form any new memories?

My past is a blank slate, one that won’t ever be written on. It’s hard when you can’t recall your childhood, when you don’t know who taught you to read, your parents, the little lessons you learned… the skills remain, but you can’t remember learning them. You can’t remember who taught you. Some days, I just stare blankly at the pages filled with my handwriting, which is familiar, and at the same time subtly wrong, as if it should be different, somehow.

There are other people in the support group, people who still have their families, the identities they have built up over the years. They tell me about the strange feeling they get when looking at photographs in the albums, pictures of them at places they can’t remember ever going; they tell me about similar happenings when a casual acquaintance who doesn’t know comes up to them and makes small talk, and their smiles remain frozen on their faces as they try to recall where they have met—and more difficult still, what their names are.

Myself, I can’t rely on any of that. I had to create myself, because when they found me I was alone. They’ve never been able to identify my family. I had nothing on me to tell who or what I was before. The first memory I have after waking up in the hospital is looking down at my personal effects. A polo shirt—a rusty brown color. Faded jeans. A belt. Nothing more. There was nothing in my pockets when I was found, battered and bruised and unconscious after being struck by a hit-and-run driver. They weren’t sure how long I lay there before I was found and rushed to the hospital, but it was long enough that I should not have survived.

Somehow, against the odds, I did survive.

Sometimes, I remember scraps—bits and pieces. A glimpse of color. A smell. The corner of the rain-washed sky, such a vibrant, lovely blue, with brilliant white, fluffy clouds scudding across it. The waving branches of trees. A chalkboard, with one equation written on it, that’s somehow significant, but I don’t know how or why.

Try as I might, I’ve never been able to find that equation elsewhere.

There are things lurking just beyond conscious thought, waiting for me to uncover them.

And then there are the dreams. Sometimes they’re simple flashes, like the memories. Sometimes they are simple words, isolated from both meaning and circumstance, sounding stilted and strange severed from both execution and consequence. “Anomaly” is one that comes back over and over again, with never an explanation. Sometimes they’re complex chains that I can never remember afterwards, though I can remember the impression that they were vivid, and complex. More than once, I have racked my brains and come back with nothing after such a dream. It is the most frustrating thing in the world, to feel that the mystery of your past is finally within your grasp, yet to feel it melting away, not fully comprehended. The second most frightening fate an amnesia victim has to face—every day—is the possibility that they might never remember.

The absolute most frightening is coming to terms with it.

“He forgot his umbrella today.”

The ceiling fans rotated slowly, moving the air around despite the fact that the temperature had dropped just after the downpour started. Outside, things were colored blue and gray and streaming watery, like half-finished watercolors sprinkled with vodka on a tilted canvas, but inside the colors were bright, well-coordinated, dominated by sunny lemon yellow; unusual for a coffee shop, but unsurprising, considering that the building had started life as a small café, before being bought by a different owner.

All eyes turned toward Nell, where she sat in her regular seat at the second of the two tables by the window. She, in turn, was gazing out the full-length windows that faced the sidewalk and street. Kara and Leslie shrugged it off and went back to their earnest conversation at their table in the corner, like the stereotypical pair of checker players in a country store; but Justine, though her expression remained bored and she did not look up from her newspaper, perked up enough to ask, “Who?”

Nell leaned her head sideways against the glass, the better to watch the blurred figure through the storm water streaming down the other side of the glass and the sheets of rain. “That man. He passes by here at exactly five-seventeen each day. I suppose he takes the bus home.” Justine shrugged, apathetically, and went back to her newspaper. Nell stared out the window with a slow sigh.

The figure was of medium height, its only distinguishable feature through the water-hazed glass. His features were a vague, indistinct smear of dark juxtaposed on light. Indeed, Nell had identified him by posture alone. He walked along the sidewalk in exactly the same way each day; now, at the end of summer and beginning of back-to-school madness, he carried the briefcase in one hand, the jacket he had worn in the morning slung across his other arm. He always walked upright, unusually so, giving the illusion that he was taller than he really was. His gait was much brisker than the other people traversing the sidewalk. Nell frowned. There was something vaguely different today, something that could not be attributed to just the rain…

Her train of thought was interrupted as the bell over the door jangled—someone really needs to tune that thing, Nell thought, wincing—and someone entered, accompanied by a gust of wind and veritable sheet of rain. The person had to throw all their weight against the door to close it again, despite the spring-loaded catch. The bell clanged again as the door closed, and the stranger stood inside, dripping on the patterned tile floor.

Before she looked, Nell knew instinctively that the person was the man she had been watching a moment ago. She stared at him, bored out of her mind, and thus interested in the smallest of details. Tousled brown hair plastered close to his head dripped onto his shoulders; his dress shirt was soaked through, the material becoming transparent and clinging to his skin. He was lean, not overly muscular, but looked slightly out-of-place in the formal outfit. The trousers had to be uncomfortable, as wet as they were. His thin, slightly angular face sparkled with water droplets; darkish eyelashes clung together over mild brown eyes.

Realizing that everyone was staring at him, he laughed, self-consciously. “The weather man is proven wrong, yet again,” he said, and walked up to the counter to order a hot chocolate, his shoes squeaking wetly and squishing with each step. All the eyes in the coffee shop followed him, some curiously, others absently. After waiting a few minutes, he received his drink and went to a corner to sit down. The others stared at him for a while longer, rudely, but eventually all of them went back to what they were doing. Nell finally looked away, uncertain as if she should say something or if she should leave the matter alone. At last, she decided to leave it alone. Eventually, the stranger finished his hot chocolate and got up and left the shop as a brief respite from the rain allowed him to exit, still only partly damp.

“How are you doing today, Connor?” Mr. Aglana asked. I sat up very straight in the chair, hands folded on my lap, my postured correct, but guarded and tense. There was something about him that always made me uncomfortable, put me on my guard.

“Very well, sir,” I replied. Perhaps it was the office. The décor had always seemed ostentatious, yet at the same time, depressing to me. The colors were all dark, the upholstery ornate. A huge painting in a gilt frame adorned the wall behind the desk, but I could not distinguish any details. I had never been able to see the painting. It had always been in shadow from the draperies. I tried to keep from glancing around, instead gazing fixedly at a spot a little to the left of Mr. Aglana’s balding head.

“And how was your week?” I fought the urge to fidget or shrug.

“Uneventful,” I said, casually. In the silence, I could distinctly hear every sound in the room. The soft wuff-hiss of the air conditioning. The soft squeaking of Mr. Aglana’s fine office chair as he leaned forward. The dynamic rap-tap-tap as he drummed his fingers lightly on the desk. He eyed me with some asperity.

“You know that won’t do, Connor,” he said.

“The job… is going fine,” I said, haltingly. Somehow, I felt uncomfortable, discussing my life—my private life, what was left of it—with Mr. Aglana. “I began two more articles but for some reason I can’t access the business search engine from the apartment any more. I’ve had to do all my research from the office. Everyone is doing their best to not pressure me too much—thank you for that, sir—” I did owe him that much—“and Mr. Clark said he’d move the deadline back, due to the fact that the Wi-Fi in the apartment is acting up again.”

“What about your personal life?” Mr. Aglana pressed. I shook my head.

“I still haven’t made any friends yet,” I said. Mr. Aglana raised an eyebrow. “I don’t want to tell anyone I have amnesia,” I said, unwillingness almost choking me. “I don’t want pity. I want people to interact with me normally. Still, I’m too—too—”

“Socially awkward?” Mr. Aglana put in. I opened my motuh. The words sounded like they should be right, yet they felt so inescapably wrong, as if there was something off, something that I was missing. I wracked my memory for the word I was searching for, then settled for a simple nod when I couldn’t locate it.

Well, it was close enough, anyway.

Seemingly satisfied, Mr. Aglana rose and offered me his hand, and I took it. As always, his grip was not very firm, and his hand was icy. Strangely enough, as my fingers touched his, a chilly current ran through me, like a cold thrill. Something buried deep in my psyche strained for the surface; I grasped desperately at it.

Bright lights in my eyes, making it hard to see. I blinked. Snatches of a conversation, not meant for me or directed at me. “Failed—try one more time—” Pain. I struggled, fighting against unseen demons seeking to drag me down. Something—there was something I needed to see—to hear—to remember. Scraps of a face, bits and bytes incoherently blended, broken apart. Something raked across my memory. I fought. I didn’t fight long. Oblivion.

I blinked, and the flash was gone. Mr. Aglana’s secretary was already escorting me out.


Meh. Why do I always label my chapters with Roman numerals? It’s certainly not intentional, to look classy… hmm.

Who cares, anyway!?

Teens Can Write Too! Blog Chain: I’d like to read more of this, please…

08 Thursday May 2014

Posted by erinkenobi2893 in Living Life with Passion, Story Dynamics, Uncategorized

≈ 51 Comments

Tags

bbc merlin, brian jacques, c.s. forester, c.s. lewis, castaways of the flying dutchman, classic science fiction, dee henderson, dorothy sayers, dystopian fiction, fantasy, fiction, g.a. henty, historical fiction, immortality, irene hannon, j.r.r. tolkien, lori wick, post-apocalyptic fiction, redwall, romance, science fiction, speculative fiction, steven king, story dynamics, teens can write too blog chain, the hobbit, the lord of the rings, the sword of damocles, time travel, young adult/juvenile fiction

The prompt for this month’s blog chain was “What sort of fiction would you like to see more of?” My first thought would be, all of it! But I had to be more discerning. What sorts of fiction do I love? What sorts of fiction are under-written?

Personally, my favorite genres are fantasy, mystery, sci-fi, post-apocalyptic, and dystopian. I love to write in them. I love reading them. Some of them, though, already have hundreds of books, and though no genre is consistently well-written, some of these genres have more than their share of marvelous stories. But we could still do with more!

Fantasy is probably the oldest of these genres; the only sort of fiction that is older is probably historical fiction, though if you include fairy tales in the fantasy genre, fantasy is undoubtedly older. As such, there is more material in fantasy than in most of my other listed genres. (It has giants like Tolkien, Lewis, L’Engle, and so forth–how are you supposed to beat that?!) Still, I would like to see more well written fantasy, with original themes and ideas. (For instance, in my latest work in progress, Generations, the sequel of Loyalty, the premise is that magic has been locked away from the world in order to protect it.) I would like to see more fantasy along the lines of The Lord of the Rings, in which the power of the Ring threatens to corrupt anyone who holds it; I would like to see the type of fantasy in which it is emphasized that power is often dangerous and can be intrinsically evil, and the answer can be to not use it, rather than the sort of sword-of-Damocles persecution that often falls upon any character with magical powers in modern fiction. (Yes, I am including BBC Merlin in this condemnation.) Some stories can pull the sword of Damocles off well. Others, it just seems cliche.

I would also like to see more fantasy such as the Redwall books and The Hobbit, in which no character has actual magical powers. Bilbo has his ring, true, but barring that, no one is “empowered”, except Gandalf, and he’s not the main character. I also like The Hobbit because the there-and-back-again has a price. About a third of the original company dies (no spoilers; I’m not saying who.) I don’t like the sort of fantasy where there is no price to be paid.

I would like to see more historical fiction that is more focused on event than romance, such as the works of G.A. Henty. Despite the fact that no one often dies (except the actual historical enactors) in Henty’s works, they are still highly enjoyable. I very highly recommend the Horatio Hornblower series by C.S. Forester, even though it’s for older readers, and should be partaken of in moderation. I would like to see historical fiction that’s more of a bridge between Henty’s style and Forester’s. I would like to see more French Revolution-era and more centered around the actions of William Wallace and Robert the Bruce, especially since much of what there is involving the latter two is biased toward the English rather than the Scots–“the victor writes history.” That may be true, but it takes reading works biased in both directions to be truly balanced.

The Castaways of the Flying Dutchman trilogy isn’t historical fiction, per se; more like a crossover of the best of both fantasy and historical, but I would like to also see more of this sort of story, involving immortality and/or time travel. (Please don’t start with me on Doctor Who. Right now, I just don’t have the time for it 😦 ) It’s a fascinating sort of one-off story that has me intrigued; how would it be if more people took on this sort of premise and actually did well by it?

It would be nice to read more mysteries in the style of Dorothy Sayers, more complex and balanced and well-integrated. Few modern authors can pull off a good mystery as well as the late nineteenth and early twentieth century mystery writers, with the notable exception of Irene Hannon and Dee Henderson (who both classify their work as romance, but whose work also fit into the genres of suspense or mystery.) More on those two later.

Now for sci-fi, post-apocalyptic, dystopian, and speculative fiction. This is one genre in which I won’t particularly lament for the authors of yesteryear. There are a great deal of good authors out there in these genres, and each one of them has fascinating premises. This may be because the genre is comparatively young, and still going strong. It would be nice to see more science fiction in the style known as “classic science fiction,” only meant for younger readers. It can be hard to find good fiction in the young adult/juvenile sections; maybe reading Madeleine L’Engle has spoiled me? ;-P

About romance… Any regular reader of this blog will know that I don’t particularly care for it. It’s not always well-written. Some of it is very unrealistic. And I just don’t feel comfortable writing it. In any book of mine where there is romance, in order so it doesn’t suck I have to make it very subtle and let the action take hold. I’ve been trying to broaden my horizons in that regard, but… meh… with precious little success. However, if Dee Henderson writes more, I will read it. If I can find more by Irene Hannon, I will read it. The other day, because I was bored, I picked up a book by Lori Wick. Just Above a Whisper, I think the title was. It was partly suspense, but mostly romance. What do I mean? Well… I almost stopped reading several times, because the menace from the insane fellow was not close enough. It wasn’t emphasized nearly enough. I didn’t have an urge to keep on reading. The only reason I didn’t put it down was because it was cool in the basement, and I was bored. Call me spoiled, but I didn’t particularly like this book; I couldn’t see why the author was a bestseller. The plot focused more on the heroine’s personal psychological problems, and I didn’t feel the ominous overhang nearly enough. It wasn’t that well integrated and felt almost like a side plot; however, I think it should have been mixed up and made part of the main plot. I felt as if even I, with my lack of talent in the genre, could have done better. It was like a romance with a side of half-baked suspense. Irene Hannon and Dee Henderson don’t have these problems. Nothing important is ever sidelined in their books; the suspense is scary enough to keep you turning pages, but not enough so it keeps you up at night like a Steven King novel (even just a summary!), and the romance is well-balanced and peppy. I want to see more romance that’s well written, even if it’s just for the sake of all the romance fans out there. 😉 I would also like to see more romance that’s based more on commitment and deep friendship rather than shallow passion. Much of what I feel tends to be deep, but I also feel in terms of commitment (if that even makes sense.) Why isn’t there more romance that just speaks to people like me? Forgive me if I’m morbid, but I think this is representation inequality right here. (And I didn’t mean to rant about bad romance. Sorry about that. I don’t mean to bash books, either; I mean, Lori Wick has promise, but I think she needs a good editor and more practice. :-P)

Thanks for reading, and God Bless!

May 5th – http://sammitalk.wordpress.com/

May 6th – http://www.nerdgirlinc.blogspot.com/

May 7th – http://nasrielsfanfics.wordpress.com/

May 8th – https://erinkenobi2893.wordpress.com/

May 9th – http://thelittleenginethatcouldnt.wordpress.com/

May 10th – http://randomofalife.blogspot.com/

May 11th – http://maralaurey.wordpress.com/

May 12th – http://www.fidaislaih.blogspot.com/

May 13th – http://musingsfromnevillesnavel.wordpress.com/

May 14th – http://theloonyteenwriter.wordpress.com/

May 15th – http://insideliamsbrain.wordpress.com/

May 16th – http://taratherese.wordpress.com/

May 17th – http://miriamjoywrites.com/

May 18th – http://oliviarivers.wordpress.com/

May 19th – http://afoodyportfolio.wordpress.com/

May 20th – http://magicandwriting.wordpress.com/

May 21st – http://unikkelyfe.wordpress.com/

May 22nd – http://www.brookeharrison.com/

May 23rd – http://eighthundredninety.blogspot.com/

May 24th – http://www.oyeahwrite.wordpress.com/

May 25th – http://avonsbabbles.wordpress.com/

May 26th – TheUnsimpleMind (no web address)

May 27th – http://thependanttrilogy.wordpress.com/

May 28th – http://www.lilyjenness.blogspot.com/

May 29th – http://sunsandstarsanddreams.wordpress.com/

May 30th – http://teenscanwritetoo.wordpress.com/ Announcement of the next month’s blog chain. 🙂

(Oh, by the way, before I go… does anyone know the difference between speculative fiction and sci-fi, if any? Thanks 🙂 )

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