Legendary Weapons: Katanas and Damascus Steel

Tags

creative writing, fantasy, historical weaponry, science fiction, superheroes, swords, urban fantasy, writing

What is it about historical weaponry that draws the minds and captures the imaginations of readers and writers alike?

Historical weapons are a stable of urban fantasy and the superhero genre, as well as historical fiction and fantasy, where they find a more predictable home. Over the years, swords, bows, maces, and battleaxes have been–understandably–superseded by firearms. So why the lingering attraction, when firearms have superior rate of fire, force, and accuracy? Is it the elegance of the weapons (now lost in an era of mass manufacture) which were once lovingly handcrafted, delicately inlaid or inscribed, and bound by hand? Or is it the appeal of an era when war held more honor and less horror, when, to kill a man, you first had to look him in the face? Is it the superiority of the skill required?

This series of articles will examine historical weapons of mass destruction, legendary sword-making techniques of both the East and the West, and address common misconceptions about modern weaponry. As the sword is, without rival, the weapon of choice in fantasy, I will publish the article on historical sword-making first.

Katana. Damascus steel blades. Legendary names for weapons created using strikingly similar techniques, creating a similar product–a high-carbon steel edge over a softer iron core.

The techniques used to create Damascus steel were once thought lost to time. Only recently have they been recreated, following the discovery of carbon nanotubes hiding underneath the iridescent sheen and wood-grained appearance of the surface.

The steel in Damascus blades and katana–called “Damascus steel” in the West and “tamahagane” in Japan–is smelted in a remarkably similar way. Broken iron ore (or iron sand, called “satetsu” in Japan) is heated with plant material–wood or bamboo for Damascus steel, charcoal in Japan–which then infuses the metal with carbon. In Damascus steel, this has the added benefit of transferring carbon nanotubes from the plant matter into the steel itself, rendering the steel remarkably hard.

However, high-carbon steel is brittle, easily broken, and this process leaves a steel-iron amalgam that is high in both metallic and organic impurities.

This is where the second major technique involved in making these legendary blades comes in. It’s called pattern welding. Steel is heated, folded on itself, beaten until the layers merge, shedding impurities and excess carbon in the process. This creates a more homogeneous steel, varying layers of harder and more brittle steel with softer layers of less brittle iron, creating a tough final product. The metallic trace impurities merge with the blade, creating a better end product than pure steel alone. However, the process must be carefully monitored, as higher temperatures can cause the iron to separate from the carbon, and, if folded too many times, the steel loses the advantage of strength and flexibility as the layers merge entirely. The folding pattern is dependent on the part of the blade the steel will form.

In Japan, the art of sword-making was historically considered a sacred ritual, and may take weeks to complete. In Japanese sword-making, a low-carbon steel/iron amalgam is used to create the core of the blade, a slightly-harder but still resilient steel to form the skin, and the high-carbon tamahagane for the edge. This results in a hard-edged blade which holds an edge well while still being springy and flexible enough to resist breakage. The steel must also be protected between foldings by a layer of wet clay and straw ash, to prevent the iron from oxidizing and help remove impurities. Due to the loss of impurities, the iron may be reduced to as little as 1/10 of its initial weight.

Finally, katanas and other Japanese swords are heat-treated, rather than quenched like European-made blades are. Before the swords are heated, a thin layer of clay is added around the edge so that it cools more quickly than the thickly-coated back edge. This results in a harder edge and a springier spine, as well as bending the sword into its signature curve.

And a word about the so-called “blood channel” or fuller: the purpose of the fuller is not to allow blood to flow more freely and allow the sword to be more easily withdrawn from the wound, but to make the blade lighter without sacrificing its structural integrity.

The blade is then polished, which takes easily as much skill to complete, since a bad polishing job can damage a sword, while a good one can render it mirror-like and perfectly smooth.

In my next article, I will talk about crossbows–a weapon so deadly that their use was banned in warfare by the Pope.

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The Brooklyn Project: Writing Anger, Part Three

Tags

character development, character types, characters, fantasy, novels, story dynamics, writing, writing about emotion, writing tips and advice

I never expected this segment of the project to take this long! Oh well.

In the first segment, I discussed why anger is important to your writing (you have to include emotion or your characters will come off as unfeeling or sociopathic), and typical ways character types get angry. In the second, I talked about some specific examples.

Now it’s time for the tips on how to work characters getting angry into your own work. Yay! *throws yogurt instead of confetti*

Now that everyone has had their free yogurt facial, I’m going to start talking.

As you saw in my last post in this series, characters often act in given ways due to their backstory. This isn’t necessarily part of their personality, though. For the sake of this post, I’m referring to personality as an enduring set of traits that influence a person to act in a certain way.

Some characters may go through a lot of trauma and never show any outward sign of it. Others may struggle to come to terms with it, but their core personality remains the same. Others are completely different following the experience.

Another quick checklist, this one for determining whether or not an experience (traumatic or otherwise) changes a character:

• How intense was the experience?
• How profound an effect did it have on the character?
• Was it a “first time” of some kind?
• How old was the character at the time?
• How long did it last?
• How long ago was it?
• How much of the character’s entire comparative life span did it take up? (e.g. if it’s been happening to them all their lives, or if it’s a more recent occurrence, or if it happened years ago but took up years.)

Also you have to consider the character. Some characters are just more resilient than others.

When a character gets angry, consider how they do it. Do they rage? Do they threaten violence? Do they use their words, and how do they use their words? Do they just walk away, or do they confront the problem?

Here’s an example from one of my novels:

Before the monster could shatter Cael’s bones with that massive paw, it suddenly reeled backwards, writhing in agony, a faint blue light shining from somewhere in the area of its maw. Its death throes lasted for only a few seconds, but it seemed much longer. As the beast fell, Arden leaped down from its back.

‘What are you doing here, Cael?’ he asked in a quiet, calculated voice, his face immobile.

‘I thought someone was in trouble,’ Cael stammered.

‘And you just wandered off?’ The words were velvety smooth but as perilous as quicksand. Not trusting himself to answer aloud, Cael nodded. ‘What did I tell you?’ Arden asked, his eyes flashing. Cael wondered if Arden was going to punish him in some way. But rather than doing anything, Arden continued in that dulcet, threatening tone, which was, in a way, more terrifying than anything he might have done.

‘Don’t wander off.’

If you can’t tell, Arden is a Type Five and Cael is either a Type One or Two. 😉

Remember that some characters are just innately more terrifying when they’re angry than others.

If your viewpoint character is the object of the anger, make sure to decide whether the other character’s form of anger is frightening to them or not, then pick out a few details that stand out to them. Choose just a couple of reasons why the anger is frightening and focus on them. Scrub your writing of too many details and purple or flowery prose–you can use a few details and a few unusual words, but don’t use too many, which will bog your writing down and detract from the emotion of the scene.

The same advice can also be useful for writing other forms of fear and shock as well. You can also, if you like, include some incongruous details for your character to notice: the color of a friend’s eyes, a brightly-colored balloon, a flower, the fact that it’s suddenly clouded over or cleared up. Use them to create a sense of detachment and for contrast.

Good luck with your writing!

Thanks for reading, and God Bless!

#BlogBattle: Attacked

Tags

completed stories, doctor who, fantasy, fiction, original work, short stories

Wow, two posts in one day. It must be Tuesday! Because, well, it is. Or, weeeelll, it’s the mean time when I said I’d post this. I’m really in the Time Vortex at the moment, so I could have published it in the 5th Century BC if I wanted. Though they didn’t have internet or computers back then so it would have been rather useless but I could if I wanted to!

My entry to Rachael Ritchey’s #BlogBattle. Genre is fantasy/adventure, and prompt word was “Ride.”

Enjoy!

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Attacked

                Gigantic golden wings bore down on them from above, and the boy crouched over the galloping horse’s neck, pressing his face into the pale gray mane. His only hope now was to ride, to trust the horse.

He wasn’t even sure if he was doing the right thing any more. He hoped he was, of course, but he was almost past caring.

He closed his eyes tight and heard a squawk as the hippogriff that was following them had its vision suddenly cut off. It was only a temporary fix, and he and the hippogriff both knew it, even as the massive beast crashed to earth behind them, sending up shock waves that reverberated through the horse’s hooves and up its legs. The trusty animal, however, did not falter. The hippogriff stumbled blindly after them, screaming in a horrible, almost-human voice. He could feel the wind sting his cheeks as it flapped enormous wings in a failed attempt to get back into the air, blind as it was.

By feel alone, he reached down to the knife by his side and drew it out, cutting his palm by accident as he did so. He licked away the excess blood without thinking and then cursed inwardly. It would be twice as difficult to complete the process now. Feeling the razor edge scraping across his skin, he lifted blood from the cut on the knife blade, flicking it downward to join with the earth. The knife shears through a lock of thick gold hair and the hair, sticky at the ends, flies at the sky. Then, praying it would work, he opened his eyes for a millisecond and grabbed the halter from the horse’s head. The knife severed it and the pieces flew from his hands. The hippogriff screeched in rage before vanishing in a burst of hot white light that blazed against the boy’s closed eyelids. With a sigh of relief, the boy finally opened his eyes, the world crashing into him in a blaze of color and light so bright and painful all he could do was blink.

Now all he had to do was bypass the Cadon’s armies, slip through the sentries, and avoid the Furies, and get the vital information he carried to the King before nightfall.

Easier said than done.

September Not-Quite-TCWT: What Books Have You Thrown Across the Room?

Tags

babysitters' club, books, fantasy, frustration, how to train your dragon, long rants, reading, reviews in a nutshell, teens can write too (sort of), writing

Well, obviously, the ones that were horrible!

I’ve thrown one of my notebooks when my sister was naughty. I’ve thrown board books. But never really an actual novel.

I did sort-of throw this “Babysitters Club” thing across the room. All they did was fabricate a mystery and do such stereotypical arts and crafts that I wanted to throw my latch-hooking, well, hook at them! Oh, and don’t forget the knitting mushroom. And the afghan hook. And the crochet hooks. And the needle-nose pliers. AND the knitting needles! Augh! Without exception the worst book I have ever read. How did it even get published!? Better stories get turned down all the time!

Seriously, if you write me a story about a boy who does something with his hands, I don’t care what kind of craft it is, I will love you forever. Especially if it’s because it’s stress relief, or maybe if it’s his therapy. That would be nice…

(Please ignore the faces. Look at the HANDS.)

Seriously. Sometimes I get distracted by what they’re doing with their hands. Which is okay–sometimes the real tension comes across in the hands. Net win. Great actors have really expressive hands. They don’t just use their faces, they use their entire bodies. I think one of the most powerful scenes from the Christopher Eccleston era of Doctor Who was in Dalek–you could tell the tension of the scene just from the way he held himself, his posture… And when Martha was meeting the Doctor, it was a bit like a Meet-the-Doctor scene for the viewer as well. “Barefoot on the Moon!” and when he wiggled his toes, I thought, “That’s pretty much all you need to know about the Doctor in one three-second shot.”

Wow. That got off-topic really quickly.

Anyway.

Moving on.

I did throw one of my schoolbooks on the ground and stomp on it, but it was softcover so I didn’t damage it. I was just frustrated that I wasn’t supposed to annotate it sarcastically. It was a horribly skewed history book, if anyone is interested in knowing. I really hate history books that just BREEZE through everything and don’t take it seriously! I love real, in-depth history that’s about people and culture. I hate history that is written bland and watered-down and colorless and includes no background. I hate history that ends up with a skewed perspective because the author’s bias leads him to write it from a white, Anglo-Saxon, male, Protestant, Western, modern perspective. Even a progressive perspective. Not a historical perspective! If you’re writing about the Bolshevik revolution, please write from an Orthodox Christian (or otherwise accurate religion/atheism), Russian perspective! Give us the points of view of the people! Give us the freaking BACKGROUND MATERIAL! Don’t just call Benjamin Franklin a ladies’ man, tell us WHY!

Okay, I think I may have just… um… ranted…

Yeah, I have a history thing. Don’t judge. History is awesome. When it’s done right.

Okay, so that’s all the books I’ve thrown across the room. (Though I did throw one of the How To Train Your Dragon books across the room because I was mad at my sister–it wasn’t because of the book at all…)

Thanks for reading, and God Bless!

Not-Quite-Teens-Can-Write-Too: First Thing I Wrote

Tags

arthurian legends, author, doctor who, editing, fantasy, fiction, novels, robin hood legends, science fiction, star wars, steampunk, story dynamics, writer, writing

The prompt was “What was the first thing you wrote of your own free will?”

Simple answer: I started when I was nine, writing a compilation (it was not a novel, too haphazard) of Robin Hood stories. It was poorly written, with choppy transitions, and too pleased-with-itself, and the humor was just shoved in randomly, not integrated.

Nevertheless, I had some fun with it.

Rewriting it today, I would have done it from Will Scarlet’s point of view, left out extraneous material I’d thrown in, and done a lot more research. (Watching Doctor Who has made a good impression on me. At least in that respect.)

The second thing I started to write, when I was eleven, was a complex and dedicated effort at overhauling the young people’s side of the Star Wars mythos–namely, I wrote about a Padawan Learner (different one in each trilogy.) It was essentially Jedi Apprentice, but much more ambitious. (I was eleven, and already writing at an eighth grade level. That might be hard to believe, but if you ignore the poor quality of the content and the horrible, choppy, obvious dialogue, it’s true.) This story had no central arc, being merely a series of short adventures (mind you, I had not started watching TV shows back then, so I had no real idea of how to write a story which could stand alone but also played into a larger plot. Kudos to you, Bad Wolf.) The first of these stories, in the original trilogy, starred an OC–not a Mary Sue, I am proud to say, but still horribly awkward. (I am considering rewriting some of the adventures into a separate novel that has no Star Wars affiliation, because some of these characters would fit ironically well into a steampunk setting. I recently discovered that I love steampunk, and science fiction, especially science fiction that takes its science seriously. Such a treat!)

I started a third novel a few years later about a mythical country and a young woman who had been kidnapped. This is the story that would eventually teach me that less is more, because her backstory got painfully complicated very quickly. Rewriting it today, I would make her less of a victim and more of a dynamic character with something to actually bring to the table (maybe she likes making shoes? That would be useful to the rebels!), and make her actually a real, honest-to-goodness peasant who had just been raised by her aunt and uncle, rather than a noble in disguise. Self-made nobles are far more interesting than born ones in many cases.

After that, I began work on a different angle on the Arthurian legends, which spun off into a novel about Mordred–my Mordred is a bit more like Batman, only with some anti-hero thrown in, a temper, and a vulnerable side–he desperately wants to be accepted by Arthur’s court, but he wants to be accepted for who he is, not as Arthur’s long-lost (illegitimate) son, and his best friend, Gawaine, can never find out that Mordred is really his half-brother (Morgause, in this story, is Mordred’s mother, but he was raised by his aunt Morgan.) Of course, it gets a bit violent–Mordred gets angry with Morgan and walks out on her when he turns fifteen, and of course it was acrimonious. Mordred decides to change his fate and is totally loyal to Arthur (he explains to his confidant Lady Lynnette, who is married to one of his half-brothers and found out Mordred’s secret by accident, “I don’t think of him as my father. That would be weird. I think of him as my king.”) but ends up having to make the choice between saving Arthur and stopping Morgan. Add in a bit of a dark sense of humor and there you are.

It’s not always been an easy or comfortable journey (bits of it were positively embarrassing,) but I’ve been glad to go on it, if it means improvement. Allons-y!

Thanks to Rosalie for starting up this alternative blog chain. She might think it’s awkward, but she deserves lots of hugs. You can find the launching post here.

Camp Nanowrimo Art Dump 2

Tags

a. a. milne, artwork, avengers, bound to the flame, doctor who, dragons, fan art, fantasy, frozen, marvel, novels, star wars, stefan, winnie the pooh, writing

This gallery contains 17 photos.

Some of this, again, is not from camp, or was completed as part of camp. A lot of it, though, …

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Art Dump

Tags

angels' reflections, artwork, avengers, candles, captain america, dragons, fantasy, how to train your dragon, leaves, marvel, novels, original stories, original work, sketch dumps, star wars

This gallery contains 19 photos.

Apparently I have a lot of art I’ve completed over a number of weeks and haven’t uploaded, for some reason. …

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TCWT: What’s normal?

Tags

authors, baroness emma orczy, bbc sherlock, brian jacques, captain america: the first avenger, catholic culture, catholicism, christian fiction, christianity, creative writing, dee henderson, disney, dynamic characters, editing, editor, fantasy, frozen, generations, invented religions, jorge luis borges, living life with passion, loyalties, macguffins, magic realism, marvel, novels, o'malley series, paranormal, redwall, religious themes, roman catholic, sherlock holmes, sir arthur conan doyle, spiritual, star wars, story dynamics, story tools, supernatural, t.h. white, the avengers, the scarlet pimpernel, the sword in the stone, uncommon heroes series, urban fantasy, world building, writing

I thought that I would not be doing TCWT again. I’m almost too old to do it. But I decided to come back at least one last time. So, here you go.

The prompt was “What do you think is commonly done well in literature? Done poorly?” I think it depends on the author and genre as much as anything else. Some things are well-done in one genre and horrific in another, or okay in one and marvelous in another.

Religious themes. A character’s religion, how they practice it, if they really live their faith, if they even practice what they preach at all, is a marvelous tool in character development whether you are religious or not. I have never been able to understand why some people neglect it. A character’s beliefs, including their religious persuasion, tells us quite a bit about that character. (This is why, if someone leaves the religion space on their character sheet blank, I often have headcanons about their beliefs.) Some books where this is done well: Dee Henderson’s “Uncommon Heroes” and “O’Malley” series (among the only romance I actually read). Living what you preach is a sign of sincerity, honesty, and sometimes even of courage. Often, it takes courage to say more than “non-denominational” on your forms, and the thing is, these characters don’t overtly try to convert others. It is the way they live that makes others think, “Wow. I wish I had what they have.” A book where this is done poorly: Many books (sadly) in the Christian fiction genre. (Oftentimes, Christian fiction is like romance; you have to be extremely choosy to find the good stuff.)

Religious themes in general: If a character actually lives what they preach, then religious themes in the plot itself are generally a given. Normally, you won’t run into actual angels or demons “on-set”, but the forces of evil vs. the good guys will probably happen. I very much prefer the sort of stories with a fallible main character, who falls and fails and then gets up again and apologizes for it (or, sometimes, doesn’t apologize and then sees the error of his ways.) Everything else just feels like another Christian fiction forgettable Mary Sue.

I also like to see slightly-different versions of real-world religions in stories (such as the world where Christianity developed slightly different, though all the teachings are still the same, the practices are different; some practices never evolved, while some that don’t exist in the real world did.)

Magic Realism. Now and again, I love a good story with spiritual/supernatural themes in the magical realism style, where it’s all strongly realist and then seamlessly in comes a bit of the supernatural. I love it when the plot twist throws me off, but when I look back into the rest of the book, I can see how it was subtly setting it up the whole time. Sadly, many “paranormal” stories tend to be “paranormal” throughout, without any magic realism. For me, it’s not urban fantasy if they don’t have the urban before they have the fantasy. Otherwise, it’s just fantasy.

A few notes on urban fantasy: I have read a couple of very good dystopian/urban fantasy novels where the story was very well-written. One of the biggest shockers, in my opinion, is when something that’s out of our normal experience happens and the characters treat it like a normal occurrence, because in their world, it is normal.

Items with character and/or significance. Now and again, there will be a MacGuffin that really ties everything together; it doesn’t even matter what the MacGuffin is, it is the significance that goes along with it. For instance, in the Star Wars prequel trilogy, it was Padme’s charm that Anakin gave her when they were both very young. (I swear, Attack of the Clones would have been so much better if at some point, Padme had slipped the japor snippet out of the collar of her dress and said quietly, “I still have the amulet you gave me.” I would be shipping Anidala so much harder than I do now, trust me.) In my novel Loyalties, it is the multi-generational hand-me-down amulet, the symbol of a master’s care for his apprentice, which is worn hidden in the French braid across the back of an apprentice’s head (or, alternatively, depending on the circumstances, hung on its ribbon around their neck,) that ties the generations together, as it is passed down from Rynnar to Winter (who tries, upon his leaving active service as a Ranger, to return it, but Rynnar refuses to accept it), and later from Winter to his apprentice Elían, and is constantly there to remind Winter of Rynnar, even in Rynnar’s absence, during the first book. (I’m certainly praying to the Muse that I end up doing it right.)

Martin the Warrior’s sword, in the Redwall series, is a recurring object that serves to both tie the series together, and to remind everyone of Redwall’s first Champion. Another example would be Sir Percy Blakeney’s “pimpernel” signet ring in the Scarlet Pimpernel books (which, though not recurring, was key to the first book–was that a spoiler? I hope not…)

Items that get left behind. In my opinion, many authors these days tend to forget about this. Things get broken and left behind. Things are not overly important, and things should not be overly important to the characters. For instance, someone can and will lose their arrows or throwing knives (which, believe it or not, is a loss that was, in the past, a very hard one, since both were very valuable, especially arrows, which were hard and time-consuming to make by hand and thereby expensive. There will be times when someone rips their shirt or goes swimming and loses it. For some reason, authors these days seem too often to ignore these instances.

On the other hand, a character losing something with sentimental value can be a very emotional moment. It can be the last straw that breaks the camel’s back. Or it can illustrate that at this point, the character doesn’t even care any more, or is just grateful that they got out of there alive. Martin the Warrior loses his father’s sword, which Tsarmina snaps in half, pushing him into vowing vengeance on the wildcat, as it was the only thing he had left to remember Luke by. Someone’s horse dies, and it’s a very emotional moment. Beaumont the hound in The Sword in the Stone (book, not the movie.)

Or, someone escapes a burning building to find that they left their old notebook behind. When the other character offers sympathy, the first just says, “It’s all right. It was only a notebook. I’m just glad we both got out alive.” Or even, “I don’t need it any more,” illustrating a dynamic moment in a character’s journey. Moments like these are a tool that is sometimes sadly neglected. People tend to forget that in a prior era, people would attach value to things using a different methodology than we do today. They would keep things because they were valuable or hard to replace, not because of sentiment, quite so much. In realistic historical fantasy, this is sometimes a stumbling block, though not always. (Kristoff losing his sleigh in Frozen could have been done so much better. At least they weren’t afraid to have people lose their gear in the movie.)

Use of small cues. This is a big one. Some people nowadays seem to want everything to be blatantly obvious and to avoid the search for small meanings and symbolism. This is the reason why some people hate character movies and characters like Obi-Wan Kenobi; they don’t see anything past the not-really-action of the movies or the character’s quiet, unassuming exterior. Forsaking dynamic characters for the sake of flash, some people end up creating Mary Sues.

However, I believe there are authors out there who do this really well (Brian Sanderson, Liam? I think I got that impression,) using small character cues, such as a slight movement, a nervous habit (such as fiddling with one’s sleeves) that recurs throughout the book, and tiny facial expressions that are left open for the readers to interpret to subtly build well-rounded, fleshed-out, dynamic characters. After a while, the reader becomes familiar with a repeated movement (“oh, Halt’s up to something; there’s the eyebrow!” “He’s reaching for his cuffs, even though he’s wearing a short-sleeved shirt. Poor kid.”) and learns to associate it with certain moods or actions. After a while, if you’ve seen The First Avenger, you get to recognize Steve Rogers’ nervous half-smile and distinguish it from his awkward smile, his stage smile, and the genuine article in Avengers. (Did anyone else notice how eerily similar Coulson’s non-offensive “I’m not a threat or even important to the plot at all; take no notice of me” half-smile is to Steve’s awkward smile? Since we know Steve better than we know Coulson, this tiny little fact, whether intentional brilliance on the part of Joss Whedon and whatsisname who plays Coulson or happy serendipity, tells us loads about Coulson as a character.)

Excessive stage drama queens. Basically, some characters just draw attention to themselves when they shouldn’t, detracting from the plot and being blatantly obvious (“don’t be obvious!”–>Moriarty’s best advice ever!), so much so that it’s sickening. This is just annoying. If it fits into the plot and the character, all well and good; it works! (This is why we actually can like Tony Stark.) But if not, then… then what’s the point? Seriously. All you have is an over-made-up actor who can’t even recite his lines properly. BORING. *shoots the wall* Sickening.

For me, most of what annoys me is blatantly obvious or lacking when it should be there. Of course, my pet peeves will be different from other people’s, but I think that all authors should try to improve their work based around these issues.

Anyway, I hope you enjoyed this listing of things I think are well-done but could be improved in fiction, thanks for reading and God bless you, as always, and don’t forget to drop by the other blogs on the chain through the rest of January! 😉

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5^th – http://whileishouldbedoingprecal.weebly.com/

6^th – http://jasperlindell.blogspot.com/

7^th – https://erinkenobi2893.wordpress.com/ (you are here) and http://nasrielsfanfics.wordpress.com/ (this would be Rosalie; I still need to read her post so now I’m done with mine I’m heading over to do that.)

8^th – http://miriamjoywrites.com/

9^th – https://ramblingsofaravis.wordpress.com/

10^th – http://semilegacy.blogspot.com/

11^th – http://kirabudge.weebly.com/

12^th – http://thelittleenginethatcouldnt.wordpress.com/

13^th – http://maralaurey.wordpress.com/

14^th – http://dynamicramblings.wordpress.com/

15^th – http://theedfiles.blogspot.com/

16^th – https://horsfeathersblog.wordpress.com/  

17^th – http://www.juliathewritergirl.com/

18^th – http://butterfliesoftheimagination.wordpress.com/

19^th – https://gallopingfree.wordpress.com/

20^th – http://www.alwaysopinionatedgirl.wordpress.com/

21^st – https://deborahrocheleau.wordpress.com/

22^nd – http://irisbloomsblog.wordpress.com/

23^rd – https://clockworkdesires.wordpress.com/

24^th – https://introspectioncreative.wordpress.com/

25^th – http://wanderinginablur.blogspot.com/

26^th – https://anotefromthenerd.wordpress.com/

27^th – http://randommorbidinsanity.blogspot.com

28^th – http://unikkelyfe.wordpress.com/

29^th – http://teenscanwritetoo.wordpress.com/ (We’ll announce the topic for next month’s chain.)

(Hey, look! Rosalie and I share a day! Awesome. ^_^)

Celebrity Meetings and Facebook Posts

Tags

fantasy, story dynamics, world building, wyverns

You can learn a lot about people (and by extension, how to write characters realistically) by looking at what they put on Facebook (or alternately, tweet or post on their blogs.) Think about it. What do the great bulk of posts tend to include?

Complaints. An occasional kudos. Or sometimes, fangirling.

People only tend to notice things when they’re out of the ordinary, or they get noticed by celebrities (this second one is called “cool by association.”) I call it “The Rule of Non-Observance.”

If the broom is in its place when you go to sweep up the glass from the cup that just broke, you complain about the cup, not the broom. However, if you have to go hunting through the house just to find the broom in order to clean up the mess, you notice, and then you complain more about the broom. (You know you do.)

On the other hand, if something is in place when it’s normally not and you go hunting through the house to find it, only to find it where it belongs, it gets your notice, doesn’t it? Because you just spent looking for something for ten minutes when it was really where it belonged the entire time.

People don’t notice things that aren’t out of the ordinary. However, they do take notice of their surroundings when they’re bored, or if they’ve only just arrived (alternatively, if the place is familiar, but has been recently remodeled.) People notice things that are out of the ordinary or new. Characters are much the same.

This same rule is also useful in world building as well. It can be effective for shock value, or it can illustrate the beliefs or what is normal to people in that world. For instance, in one fantasy world I’ve created, people don’t take much notice to baby wyverns playing in the streets of their city. Sure, they complain about them, but as long as the wyverns don’t go predatory or start thieving, they’re just like any other vermin.

To recap, people only notice things that are new or unusual. Use that to your advantage.

Enough said.

Thanks for reading, and God Bless!

Teens Can Write Too! Blog Chain: I’d like to read more of this, please…

Tags

bbc merlin, brian jacques, c.s. forester, c.s. lewis, castaways of the flying dutchman, classic science fiction, dee henderson, dorothy sayers, dystopian fiction, fantasy, fiction, g.a. henty, historical fiction, immortality, irene hannon, j.r.r. tolkien, lori wick, post-apocalyptic fiction, redwall, romance, science fiction, speculative fiction, steven king, story dynamics, teens can write too blog chain, the hobbit, the lord of the rings, the sword of damocles, time travel, young adult/juvenile fiction

The prompt for this month’s blog chain was “What sort of fiction would you like to see more of?” My first thought would be, all of it! But I had to be more discerning. What sorts of fiction do I love? What sorts of fiction are under-written?

Personally, my favorite genres are fantasy, mystery, sci-fi, post-apocalyptic, and dystopian. I love to write in them. I love reading them. Some of them, though, already have hundreds of books, and though no genre is consistently well-written, some of these genres have more than their share of marvelous stories. But we could still do with more!

Fantasy is probably the oldest of these genres; the only sort of fiction that is older is probably historical fiction, though if you include fairy tales in the fantasy genre, fantasy is undoubtedly older. As such, there is more material in fantasy than in most of my other listed genres. (It has giants like Tolkien, Lewis, L’Engle, and so forth–how are you supposed to beat that?!) Still, I would like to see more well written fantasy, with original themes and ideas. (For instance, in my latest work in progress, Generations, the sequel of Loyalty, the premise is that magic has been locked away from the world in order to protect it.) I would like to see more fantasy along the lines of The Lord of the Rings, in which the power of the Ring threatens to corrupt anyone who holds it; I would like to see the type of fantasy in which it is emphasized that power is often dangerous and can be intrinsically evil, and the answer can be to not use it, rather than the sort of sword-of-Damocles persecution that often falls upon any character with magical powers in modern fiction. (Yes, I am including BBC Merlin in this condemnation.) Some stories can pull the sword of Damocles off well. Others, it just seems cliche.

I would also like to see more fantasy such as the Redwall books and The Hobbit, in which no character has actual magical powers. Bilbo has his ring, true, but barring that, no one is “empowered”, except Gandalf, and he’s not the main character. I also like The Hobbit because the there-and-back-again has a price. About a third of the original company dies (no spoilers; I’m not saying who.) I don’t like the sort of fantasy where there is no price to be paid.

I would like to see more historical fiction that is more focused on event than romance, such as the works of G.A. Henty. Despite the fact that no one often dies (except the actual historical enactors) in Henty’s works, they are still highly enjoyable. I very highly recommend the Horatio Hornblower series by C.S. Forester, even though it’s for older readers, and should be partaken of in moderation. I would like to see historical fiction that’s more of a bridge between Henty’s style and Forester’s. I would like to see more French Revolution-era and more centered around the actions of William Wallace and Robert the Bruce, especially since much of what there is involving the latter two is biased toward the English rather than the Scots–“the victor writes history.” That may be true, but it takes reading works biased in both directions to be truly balanced.

The Castaways of the Flying Dutchman trilogy isn’t historical fiction, per se; more like a crossover of the best of both fantasy and historical, but I would like to also see more of this sort of story, involving immortality and/or time travel. (Please don’t start with me on Doctor Who. Right now, I just don’t have the time for it 😦 ) It’s a fascinating sort of one-off story that has me intrigued; how would it be if more people took on this sort of premise and actually did well by it?

It would be nice to read more mysteries in the style of Dorothy Sayers, more complex and balanced and well-integrated. Few modern authors can pull off a good mystery as well as the late nineteenth and early twentieth century mystery writers, with the notable exception of Irene Hannon and Dee Henderson (who both classify their work as romance, but whose work also fit into the genres of suspense or mystery.) More on those two later.

Now for sci-fi, post-apocalyptic, dystopian, and speculative fiction. This is one genre in which I won’t particularly lament for the authors of yesteryear. There are a great deal of good authors out there in these genres, and each one of them has fascinating premises. This may be because the genre is comparatively young, and still going strong. It would be nice to see more science fiction in the style known as “classic science fiction,” only meant for younger readers. It can be hard to find good fiction in the young adult/juvenile sections; maybe reading Madeleine L’Engle has spoiled me? ;-P

About romance… Any regular reader of this blog will know that I don’t particularly care for it. It’s not always well-written. Some of it is very unrealistic. And I just don’t feel comfortable writing it. In any book of mine where there is romance, in order so it doesn’t suck I have to make it very subtle and let the action take hold. I’ve been trying to broaden my horizons in that regard, but… meh… with precious little success. However, if Dee Henderson writes more, I will read it. If I can find more by Irene Hannon, I will read it. The other day, because I was bored, I picked up a book by Lori Wick. Just Above a Whisper, I think the title was. It was partly suspense, but mostly romance. What do I mean? Well… I almost stopped reading several times, because the menace from the insane fellow was not close enough. It wasn’t emphasized nearly enough. I didn’t have an urge to keep on reading. The only reason I didn’t put it down was because it was cool in the basement, and I was bored. Call me spoiled, but I didn’t particularly like this book; I couldn’t see why the author was a bestseller. The plot focused more on the heroine’s personal psychological problems, and I didn’t feel the ominous overhang nearly enough. It wasn’t that well integrated and felt almost like a side plot; however, I think it should have been mixed up and made part of the main plot. I felt as if even I, with my lack of talent in the genre, could have done better. It was like a romance with a side of half-baked suspense. Irene Hannon and Dee Henderson don’t have these problems. Nothing important is ever sidelined in their books; the suspense is scary enough to keep you turning pages, but not enough so it keeps you up at night like a Steven King novel (even just a summary!), and the romance is well-balanced and peppy. I want to see more romance that’s well written, even if it’s just for the sake of all the romance fans out there. 😉 I would also like to see more romance that’s based more on commitment and deep friendship rather than shallow passion. Much of what I feel tends to be deep, but I also feel in terms of commitment (if that even makes sense.) Why isn’t there more romance that just speaks to people like me? Forgive me if I’m morbid, but I think this is representation inequality right here. (And I didn’t mean to rant about bad romance. Sorry about that. I don’t mean to bash books, either; I mean, Lori Wick has promise, but I think she needs a good editor and more practice. :-P)

Thanks for reading, and God Bless!

May 5th – http://sammitalk.wordpress.com/

May 6th – http://www.nerdgirlinc.blogspot.com/

May 7th – http://nasrielsfanfics.wordpress.com/

May 8th – https://erinkenobi2893.wordpress.com/

May 9th – http://thelittleenginethatcouldnt.wordpress.com/

May 10th – http://randomofalife.blogspot.com/

May 11th – http://maralaurey.wordpress.com/

May 12th – http://www.fidaislaih.blogspot.com/

May 13th – http://musingsfromnevillesnavel.wordpress.com/

May 14th – http://theloonyteenwriter.wordpress.com/

May 15th – http://insideliamsbrain.wordpress.com/

May 16th – http://taratherese.wordpress.com/

May 17th – http://miriamjoywrites.com/

May 18th – http://oliviarivers.wordpress.com/

May 19th – http://afoodyportfolio.wordpress.com/

May 20th – http://magicandwriting.wordpress.com/

May 21st – http://unikkelyfe.wordpress.com/

May 22nd – http://www.brookeharrison.com/

May 23rd – http://eighthundredninety.blogspot.com/

May 24th – http://www.oyeahwrite.wordpress.com/

May 25th – http://avonsbabbles.wordpress.com/

May 26th – TheUnsimpleMind (no web address)

May 27th – http://thependanttrilogy.wordpress.com/

May 28th – http://www.lilyjenness.blogspot.com/

May 29th – http://sunsandstarsanddreams.wordpress.com/

May 30th – http://teenscanwritetoo.wordpress.com/ Announcement of the next month’s blog chain. 🙂

(Oh, by the way, before I go… does anyone know the difference between speculative fiction and sci-fi, if any? Thanks 🙂 )